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Recientemente reproducidas

Spank Bank Heist - Chthonic Sequences by Ricky Meatloaf
Chthonic Sequences | Ricky Meatloaf
Duración
4:03
Duración
4:03
Hammerhead - Hammerhead - Single by Ricky Meatloaf
Hammerhead - Single | Ricky Meatloaf
Duración
4:01
Duración
4:01
Unstable Trees - Chthonic Sequences by Ricky Meatloaf
Chthonic Sequences | Ricky Meatloaf
Duración
4:01
Duración
4:01
Shark Fin - Drums Don't Lie by Ricky Meatloaf
Drums Don't Lie | Ricky Meatloaf
Duración
3:46
Duración
3:46
Do Not Open - Muscles Not Included by Ricky Meatloaf
Muscles Not Included | Ricky Meatloaf
Duración
3:34
Duración
3:34
Blew Genes - Muscles Not Included by Ricky Meatloaf
Muscles Not Included | Ricky Meatloaf
Duración
3:55
Duración
3:55
Repaired - Drums Don't Lie by Ricky Meatloaf
Drums Don't Lie | Ricky Meatloaf
Duración
3:30
Duración
3:30
Sandbox - Muscles Not Included by Ricky Meatloaf
Muscles Not Included | Ricky Meatloaf
Duración
3:54
Duración
3:54
Uh Oh - Muscles Not Included by Ricky Meatloaf
Muscles Not Included | Ricky Meatloaf
Duración
4:00
Duración
4:00
Muddy Shoes - Drums Don't Lie by Ricky Meatloaf
Drums Don't Lie | Ricky Meatloaf
Duración
3:30
Duración
3:30

Recientemente agregadas

loml -
loml
Muscles Not Included
Muscles Not Included
Ricky Meatloaf
Pistas
15
Pistas
15

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Donald Byrd: Sampled - null
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Classic Hip-Hop Deep Cuts - A selection of lesser-known gems and crucial album cuts from the glory days of classic hip-hop. Our editors regularly update this playlist—if you hear something you like, add it to your library.
Classic Hip-Hop Deep Cuts
A selection of lesser-known gems and crucial album cuts from the glory days of classic hip-hop. Our editors regularly update this playlist—if you hear something you like, add it to your library.
Bob Marley: Sampled - Bob Marley's yearning voice and scratchy rhythms sounded from Jamaica to the rest of the world, across generations and genres, from reggae to hip-hop. He inspired a young Outkast to “Git Up, Git Out” and empowered Public Enemy's “Party for Your Right to Fight.” Fugees found pathos in “No Woman, No Cry,” while UGK kept coarse on “Cocaine In the Back of the Ride.”
Bob Marley: Sampled
Bob Marley's yearning voice and scratchy rhythms sounded from Jamaica to the rest of the world, across generations and genres, from reggae to hip-hop. He inspired a young Outkast to “Git Up, Git Out” and empowered Public Enemy's “Party for Your Right to Fight.” Fugees found pathos in “No Woman, No Cry,” while UGK kept coarse on “Cocaine In the Back of the Ride.”
2000s Hip-Hop Essentials - The 2000s began with New York’s lyrical titans—JAY-Z, Nas, Cam’ron, Jadakiss, newcomer 50 Cent—battling for supremacy, commercial and otherwise. However, New York’s grip on the hip-hop narrative would loosen. Atlanta rappers like Outkast, Ludacris, T.I., Lil Jon, and Young Jeezy would spin hip-hop into crunk and trap; a young, ambitious Chicago producer named Kanye West would open up new vistas of personal and emotional hitmaking; and New Orleans spitter Lil Wayne’s constant flood of mixtapes would change the economics of rapping forever. The internet would help spread regional sounds like the UK’s minimalist grime, Houston’s slow-moving chopped-and-screwed music, the Bay Area’s hyperactive hyphy, and Atlanta’s short-lived snap. By decade’s end, the gurgle of Auto-Tune and the freewheeling phrasing of Drake had begun to scramble the circuits, setting up hip-hop for its most melodic decade yet.
2000s Hip-Hop Essentials
The 2000s began with New York’s lyrical titans—JAY-Z, Nas, Cam’ron, Jadakiss, newcomer 50 Cent—battling for supremacy, commercial and otherwise. However, New York’s grip on the hip-hop narrative would loosen. Atlanta rappers like Outkast, Ludacris, T.I., Lil Jon, and Young Jeezy would spin hip-hop into crunk and trap; a young, ambitious Chicago producer named Kanye West would open up new vistas of personal and emotional hitmaking; and New Orleans spitter Lil Wayne’s constant flood of mixtapes would change the economics of rapping forever. The internet would help spread regional sounds like the UK’s minimalist grime, Houston’s slow-moving chopped-and-screwed music, the Bay Area’s hyperactive hyphy, and Atlanta’s short-lived snap. By decade’s end, the gurgle of Auto-Tune and the freewheeling phrasing of Drake had begun to scramble the circuits, setting up hip-hop for its most melodic decade yet.

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