@Jose Mejia

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From his street-savvy beginnings to his eventual rise to urban pop stardom, this Puerto Rican rapper has always maintained an edgy appeal. His early trap singles played with themes both criminally minded and romantically astute, making him a perfect fit for Rick Ross’ Maybach Music. The unfortunate timing of his incarceration left him sidelined during the global growth of música urbana into the mainstream, yet the surprise arrival and subsequent success of his Real Hasta la Muerte demonstrated he had only begun to show off his range. From there, he made himself known on collaborations as seemingly disparate as 6ix9ine’s “BEBE,” Meek Mill’s “Uptown Vibes,” and “Ella Quiere Beber” with Romeo Santos. He showed a softer side on “Me Gusta” with Shakira and “Culpables” with KAROL G, proving his broader pop appeal. By the time his sophomore album Emmanuel dropped in 2020, with diverse features like Enrique Iglesias on the breezy ballad “Fútbol y Rumba” and J Balvin and Ozuna on the energetic dancehall throwback “China,” he had leveled up in a major way.

When his life was cut short in the early hours of February 19, 2020, Brooklyn rapper Pop Smoke was, at the age of 20, more famous than he’d ever been, yet nowhere close to where he was likely to end up. He exploded onto the scene in 2019 with “Welcome to the Party,” a song that somehow plays as enticing as it is menacing, exemplifying Brooklyn’s rising drill music scene at its sharpest. His voice across it—gruff and road-worn beyond his age—carries the delivery of a supervillain, daring his adversaries to try and stop the mayhem he has planned for the city. Pop Smoke was from the far-flung Canarsie neighborhood, and his verses radiate a singular kind of Real Brooklyn energy. (A great deal of his "Welcome to the Party” video takes place in front of the long-standing jerk chicken staple Peppa’s.) His slang (“sturdy,” “dap me up”) was largely New York City-centric, which helped songs like “War,” “Christopher Walking,” and “Dior” reverberate quickly through, and beyond, the five boroughs. Fans worldwide got indoctrinated upon accepting his 2019 debut project’s invitation to Meet the Woo; a sequel, Meet the Woo 2, was released just weeks before his death. Pop Smoke worked well with the stars of his city, nabbing collaborations with Nicki Minaj, Bronx heartthrob A Boogie wit da Hoodie, and fellow ascending voices Lil Tjay and Fivio Foreign. He’d even have no problem setting his own tone on his Travis Scott collaboration “GATTI,” from the JACKBOYS project. Canarsie had Pop Smoke famously calling friends and associates his “woos,” but his enemies mostly went nameless, barely worth mentioning. As fast as things were moving for him, he couldn’t have had a second of spare time to give to anyone who didn’t believe.

The man who popularized ranchera music throughout the world, Vicente Fernández was born in 1940 and began singing as a young boy. After he had been turned down by multiple record labels, CBS Mexico finally took a chance on Fernández in 1966. Thanks to his commanding voice and electrifying performances backed by a traditional mariachi band, Fernández finally became a household name throughout Latin America in the late '70s. He went on to win multiple Latin GRAMMY® Awards and star in more than 40 films, and this collection features the powerful rancheras that made him a superstar. Fernández died in December 2021 at the age of 81.