@Emmanuel Anyanwu

The tracks you can’t get enough of lately, all in one place. Updated as you listen.

The songs you love. The more you use Apple Music, the better the mix. Refreshed every Tuesday.

Whether it’s a weekday morning or Saturday night, get going with this personalised mix of upbeat music. Refreshed every Monday.

Songs to help you relax and unwind. Updated every Sunday.

Discover new music from artists we think you'll like. Refreshed every Friday.

Given the image of him as a smiling, joint-smoking peacenik that has proliferated since his death in 1981, it’s easy to forget just how angry Bob Marley was. His music spoke to colonialism (“War”), poverty (“Concrete Jungle”), the necessity of achieving political agency (“Get Up, Stand Up”) and the challenge of exercising it (“Burnin’ and Lootin’”) with a righteousness and frustration that made him as much a figurehead to punk rock as to the reggae he helped export to the world. Marley formed The Wailers with Peter Tosh and Bunny Wailer in his late teens, thickening from cheerful R&B-based ska to the more rhythmically substantive sound of reggae. His music had a dialogic relationship with a variety of Black styles beyond reggae, including funk (“I Shot the Sheriff"), soul (“No Woman, No Cry”, “Redemption Song”) and even disco (“Could You Be Loved”, “Exodus”). Even as he settled into smoother, pop-oriented sounds, he retained an urgency and sense of struggle that inspired generations of artists to recognise that music, while great for entertainment, can also be the delivery system for something bigger.