@Ursula Fox

Discover new music from artists we think you'll like. Refreshed every Friday.

The tracks you can’t get enough of lately, all in one place. Updated as you listen.

The songs you love. The more you use Apple Music, the better the mix. Refreshed every Tuesday.

Whether it’s a weekday morning or Saturday night, get going with this personalized set of upbeat music. Refreshed every Monday.

Songs to help you relax and unwind. Updated every Sunday.

There’s already something comforting about a good cover: the sense of familiarity, maybe; an old friend seen in a new light. What follows is a set of chilled-out renderings of songs you know in forms you probably don’t, perfect for discovering new artists or just soundtracking a quiet moment. Our editors update picks here regularly, so if you hear something you like, add it to your library.

If you partied in the ’00s, you already know eclecticism ruled the dance floor, as the hard lines between ’90s genres were basically being wrecking-balled by the rise of downloads and streaming. The ability of the era's songs to inspire booty-shaking is in no danger of expiring; they still feel brash, with the sheen of a familiar style undergoing a thrilling shift. To wit, teen pop went urban, as producers like Timbaland gave edge to ex-Mouseketeers such as Justin Timberlake. Urban became mainstream as people once known as collaborators—Beyoncé and Kanye West—claimed their spotlight with larger-than-life production. And the mainstream got weirder as artists like Outkast, M.I.A., and Lady Gaga introduced a sense of free-wheeling auteurism. It’s that last development—along with the rise of reggaetón—that pointed most clearly to where the party headed in the ’10s as the stylistic meld continued and stars got ever bolder in embracing their odder ideas.

A selection of uplifting and feel-good electronica, deep house and melodic house - lose yourself in these sonic gems for chill out, sunset, summer, study, focus, reading, relaxing, campfire, morning and meditation.

Neil Diamond has bridged the gap between sophisticated singer/songwriter and razzle-dazzle showman for more than half a century. The native New Yorker ditched college for Tin Pan Alley, and honed his skills penning hits in the legendary Brill Building before becoming a solo sensation. In soft rock anthems and silky-smooth ballads, Diamond straddles the line between sacred and profane (the exuberant, candy-coated soul of “I'm a Believer”; the existential, string-laced “I Am…I Said”). With singles like “Sweet Caroline,” he's proven that the finest pop tunes can be as inspiring as hymns.