@Ayshea Tait

Songs to help you relax and unwind. Updated every Sunday.

Discover new music from artists we think you'll like. Refreshed every Friday.

The tracks you can’t get enough of lately, all in one place. Updated as you listen.

The songs you love. The more you use Apple Music, the better the mix. Refreshed every Tuesday.

Whether it’s a weekday morning or Saturday night, get going with this personalised set of upbeat music. Refreshed every Monday.

The tracks you can’t get enough of lately, all in one place. Updated as you listen.

The songs you love. The more you use Apple Music, the better the mix. Refreshed every Tuesday.

Over the course of the ‘90s, indie rock grew up fast. While the first half of the decade was dominated by scruffy, rock-faithful, fuzz-pedal-stomping slackers, by the midway point, a more sophisticated—yet equally subversive—sensibility was taking root among indie-minded artists who harboured no desire to join the mosh pit. Groups like Portishead and Stereolab repositioned vintage-record-collector sounds in strange beat-driven contexts; Belle and Sebastian made bookish folk-pop fashionable; and Blur and Radiohead abandoned their Britpop past for more experimental realms. By decade’s end, even old-guard noisemakers like The Flaming Lips had outgrown their raucous roots in pursuit of increasingly ambitious songcraft.