@Imelda Martinez

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The tracks you can’t get enough of lately, all in one place. Updated as you listen.

The songs you love. The more you use Apple Music, the better the mix. Refreshed every Tuesday.

Whether it’s a weekday morning or Saturday night, get going with this personalized mix of upbeat music. Refreshed every Monday.

Songs to help you relax and unwind. Updated every Sunday.

Discover new music from artists we think you'll like. Refreshed every Friday.

Discover new music from artists we think you'll like. Refreshed every Friday.

The tracks you can’t get enough of lately, all in one place. Updated as you listen.

Latin music isn’t just a genre but a multifaceted culture that knows no boundaries, and the 2010s reflect how its wide-ranging styles branch out globally. The decade began with the electro-cumbia craze going strong, led by Bomba Estéreo’s tropical dance movement. In Chile, Javiera Mena’s unapologetic synth stabs sparked a disco-pop reverie across the southern continent. Meanwhile, Carla Morrison’s wounded pop and Natalia Lafourcade’s bolero brilliance elevated the romanticism of the singer-songwriter even higher. And lest anyone forget, the Mexican cumbia virtuosity of Los Ángeles Azules and Maná’s stadium pop-rock kept those well-established genres thriving. But the biggest success story of the decade was reggaetón’s second awakening, fronted by the likes of J Balvin, Ozuna and Maluma, who catapulted the genre to worldwide prominence. The urbano movement—the trap, hip-hop and new reggaetón now synonymous with Latin pop—disrupted the music industry with “Despacito”, which changed the entire game when it became the most streamed-song in internet history.